Star Wars

D23 News: Star Wars

We’ve been hearing a lot of Disney news over the past couple of days due to D23, an expo put on by the official Disney fan club. But with Disney news, we now get Star Wars news! There are three major things happening with the Star Wars universe…

Concept art for the Star Wars parks.

Concept art for the Star Wars parks.

1. Disney Star Wars Theme Parks

The theme parks are finally coming! In both Anaheim, CA and Orlando, FL, Disney will be opening up lands and rides that will finally feature Star Wars. We don’t know too many details right now, but we have concept art and can rest assured that they will properly make the world of Star Wars come to life. Find out more here.

2. Colin Trevorrow to Direct Episode IX

Although not coming out until 2019, Episode IX now has a director. Colin Trevorrow, best known for his work with Jurassic World, will be directing the final movie of the new Star Wars trilogy. We already knew Rian Johnson (Brick, Looper) would be helming Episode VIII. More information on Trevorrow’s new gig here.

Colin Trevorrow will direct Star Wars Episode IX.

Colin Trevorrow will direct Star Wars Episode IX.

3. Rogue One Cast Announced

Lastly, Rogue One is well into production and now has a cast. This cast includes Felicity Jones (The Theory of Everything), Diego Luna, Ben Mendelsohn, Donnie Yen (Ip Man), Jiang Wen, Forest Whitaker (The Last King of Scotland), Mads Mikkelson (Casino Royale), Alan Tudyk (Firefly; I, Robot), and Riz Ahmed. We’ll be seeing this one hit theaters in 2016.

 

The cast of Star Wars: Rogue One.

The cast of Star Wars: Rogue One.

D23 News: Star Wars

So Many Theme Parks!

Last week, Universal Studios announced its new deal with Nintendo to bring new theme parks to life dedicated to Mario, Link, Donkey Kong, and the rest of our favorite characters!  While Universal has created haunted houses based on franchises like Silent Hill and Resident Evil, the world of video games has been largely untapped by way of theme parks as of now.  There have been no official reports of exactly what the park could feature but fans have already begun to speculate actual Mario Kart Go Carts and something dedicated to Splatoon.

Universal Studios Theme Parks Nintendo Logo

This deal is also very unique because Universal plans to build a Nintendo theme park at each of their four locations (Orlando, Hollywood, Singapore, Japan) as well as break ground on a fifth location in Beijing.  This is, of course, a massive undertaking considering Orlando’s Harry Potter’s Wizarding World still remains the only Harry Potter theme park Universal has planned.  The park plans to open in 2021.  I better start planning my vacation now.

Walt Disney World Theme Parks Star Wars Logo

Universal’s largest rival, Disney, has also made enormous theme park plans for some of its newly acquired franchises.  Earlier this year, Disney announced the intention of building a theme park set in the Star Wars universe, in addition to the themed rides already found in Disney World.  Disney chief Bob Iger has reported the intention of the theme park being based on the new films made under the Disney name, including Star Wars Episode VII: The Force Awakens  and Star WarsRogue One.  Since then, the presence of Star Wars has increased tremendously at all of the company’s global locations.

Which of these theme parks are you most looking forward to? Comment below!

So Many Theme Parks!

A Review of William Shakespeare’s Star Wars: Verily, A New Hope

“All the world’s a stage, and all the men and women merely players.” Apparently this is even true in galaxies far, far away. Ian Doescher’s William Shakespeare’s Star Wars: Verily, A New Hope is a masterpiece and succulent fusion of two very different genres. Contrary to what one might think, it is not simply Star Wars written in Shakespearean dialogue, but its own separate piece of art generating flawless finesse in taking our boy from Tatooine and re-imagining his story told in Victorian England by the Bard himself.

It may be fruitful to compare this style to something akin to Pride and Prejudice and Zombies by Seth Grahame Smith. However, I find it very different. Smith simply took the original writing of Jane Austin and had fun playing with the words by changing out words like “love” with “brains.”  Doescher doesn’t do this at all. Apparently, Lucasfilm gave him all sorts of freedom to do pretty much anything he wanted. So this book is best described as a Star Wars and Shakespeare fan’s attempt to blend the two genres into something equally as beautiful. If you’re asking me, he succeeded. Now to the good stuff. What makes it awesome?

ShakespeareswvaderThe Mechanics 

Anyone who paid attention in High School English remembers that William Shakespeare is arguably the greatest writer/storyteller/poet/Renaissance man of all time. They will also remember that the reasons he is recognized as this is by his impeccably unique writing style. He pretty much invented the English Sonnet for crying out loud, not to mention modern story telling. The man was a genius to put it lightly. So, like myself, when hearing that this book existed, you most likely asked yourself, how can someone pretend to match the elegance, craftsmanship, and artistry of the The Bard? it’s simply impossible. Call me a little obsessed with the guy, but It is virtually impossible to match Shakespeare’s talent. Doescher doesn’t quite make it there, but he’s pretty dang close. Here were the main pieces of Shakespeare’s writing style that Doescher nailed on the head.

  • Iambic Pentameter. Once again, for those of you who paid attention in school, this word is familiar. But to those who didn’t, you’re very confused at what I may be getting at. An overwhelming amount of Shakespeare’s work is written in iambic pentameter. I would go as far as to say that around 95% of it is, making this the most essential thing for Doescher to excel in. Quick English lesson to aid the confused: most people in school are taught that iambic pentameter is simply ten syllables per line. However, it is far more complex than that. It follows five (penta) pairs of iambs (one unstressed syllable followed by a stressed syllable) to create a cohesive rhythm. If you would like to learn more about this in detail, follow the link here for a great TED video explaining it in depth. Doescher does this without breaking a sweat. It seems, flows, and sounds nearly exactly like Shakespeare. In fact, he even uses it with characters speaking different languages, like Chewbacca with Shyriiwook, Greedo with Rodese, Jabba with Huttese and even R2D2’s beeps and squeaks. Here’s an example from Verily, A New Hope next to a selection from Twelfth Night by William Shakespeare so you can get the idea of what this looks like in action.
    • “How LONG, now, ERE thou CANS’T aCHIEVE lightSPEED” -Obi Wan (Act III, Scene 4)
    • “if MUsic BE the FOOD of LOVE, play ON” -Duke Orsino (Act I, Scene 1)
  • Puns: Shakespeare is truthfully the King of Puns.  One of my favorites comes from Romeo and Juliet in a conversations between Sampson and Gregory in Act I, “Sampson: I will show myself a tyrant. When I have fought with the men, I will be cruel with the maids, and cut off their heads. Gregory: The heads of the maids? Sampson: Ay, the heads of the maids, or their maidenheads; take it in what sense thou wilt.” Doescher includes several puns throughout, but most of them are a play on what us Star Wars fans expect to see vs. what he actually does. So I’ll let them be a surprise.
  • ShakespeareswlukeAsides and Soliloquies: One of the most common ways that Shakespeare develops his characters is by allowing them to talk privately to themselves. It’s a well known proverb that “a man is really only himself when he is alone.” Shakespeare utilizes this truth in every play he wrote in order for the audience to fully understand his characters better. He does this with two different methods, either an aside (character talks only to him/herself and no one else can hear) or in a soliloquy (a monologue or long speech when the character is the only one on stage). These mediums are especially helpful to aid the audience to see development in the most difficult characters. In Hamlet, the main character with the same name has, over the years, been labeled the most difficult character. This is why Shakespeare awards this character with 4 of the 5 soliloquies in the play, one of them carrying some of the most famous lines in history, “To be or not be, that is the question,” and “Aye, there’s the rub.” There are two characters in particular who are given multiple asides and a few soliloquies to gain our understanding. Han Solo and R2-D2. The latter is most interesting, because, when speaking to others, R2 uses his beeps and squeaks, but, when speaking to himself or the audience, he speaks good old Galactic Basic Standard, or what we call English.
  • Songs: Shakespeare loves to write lyrics to songs to express deep emotion with his characters and allow them to pour out their feelings. Two of the most famous songs are sung by Ophelia in Hamlet and Ariel in the Tempest. Doescher gifts this wonderful blessing to none other than Princess Leia after the destruction of her home planet Alderaan, and it is beautifully written as well.

The Art of Re-Imagination

shakespeareswjabbaAs hinted above, this story is not simply a carbon copy of Star Wars. It’s a beautiful merger of two different genres in a new re-imagination of a well known story. Doescher takes some liberties, and includes some scenes I may not have. Namely the discussion between Jabba and Han. Deoscher also sheds some light on some arguments and where he stands on them. So you should read it and see where he stands and keep your eye out for my review of The Empire Striketh Back.

Are you a Shakespeare enthusiast? Have you read this book? Let us know what you think in the comments.

A Review of William Shakespeare’s Star Wars: Verily, A New Hope

5 Things We Can Deduct From the Star Wars VII San Diego Comic Con Reel

Despite two teasers and the newly released comic con reel, we still know very little about Star Wars: The Force Awakens. Nevertheless, there are a few things we learned from the reel that should shed some light on the plot. Without further ado, here are five things we can deduct from the Star Wars comic con reel:

 

 

 

 

 

 

 

 

 

1. The new TIE fighters have seen better days.

Courtesy Disney Comic Con Reel

Courtesy Disney Comic Con Reel

J.J. Abrams has told us that this new planet is Jakku and that a great battle was fought on this planet. However, the smoking TIE fighters show us that someone has shot them down. Perhaps the Millennium Falcon during that chase we have seen in both teasers?

2. This is Carrie Fisher’s costume.

Courtesy Disney Comic Con Reel

Courtesy Disney Comic Con Reel

A rumor was floating around for awhile that this was indeed her costume. Like it or not, the reel has confirmed that this is what her costume will look like… even though it strangely resembles the uniforms the Rebel Troopers wore in A New Hope.

Rebel Troopers from Star Wars: A New Hope.

Rebel Troopers from Star Wars: A New Hope.

3. Kylo Ren definitely comes to Jakku.

Courtesy Disney Comic Con Reel

Courtesy Disney Comic Con Reel

You can see here that Kyle Ren is walking down onto a desert landscape. Since Abrams has told us that it is not Tatooine, we can assume that it must be Jakku. Maybe we’ll see some lightsaber fights on the planet?

4. Rey flies the Millennium Falcon solo.

Rey falcon

Both pictures courtesy Disney Comic Con Reel

You can very clearly see the entrance to the cockpit of the Falcon in this shot. Both pictures courtesy Disney Comic Con Reel

This shot shows what is clearly the Falcon’s cockpit and that Rey (Daisy Ridley) is flying it. So why is she flying it alone? One of my theories is that Rey is in fact the daughter of Han and Leia. For some reason, she steals the Falcon and takes it to Jakku. Mind you, that is only a theory. All we know for sure is that she flies it with no one else in the cockpit.

5. Han will fly the Millennium Falcon with Rey and Finn.

Courtesy Disney Comic Con Reel

Courtesy Disney Comic Con Reel

Piggybacking off of the fact that Rey flies the Falcon solo, it would seem that Solo himself joins her and that she is co-piloting. Going off of my previous theory, is Han reclaiming his property? At the end of the second teaser, he does say, “Chewie, we’re home.” This implies that they had been separated from the Falcon for some time. Maybe Rey doesn’t even steal the Falcon. Maybe Han gives it to her while he goes into temporary retirement. No matter the reason, we shall find out when the movie hits theaters this December.

5 Things We Can Deduct From the Star Wars VII San Diego Comic Con Reel

Marvel’s “Princess Leia” Fails to Impress

Marvel’s five part series, Princess Leia, isn’t perfect—despite how much I wish it was. As the industry sits, there aren’t an overwhelming number of female protagonists in the well-known Star Wars canon. A comic centering on women was a welcome, refreshing tide to the often stagnant diversity pool.

If you haven’t read it, the comic portrays Leia’s life between “A New Hope” and “The Empire Strikes Back.” It details her grief over losing Alderaan, and her struggle to keep her culture alive. (A responsibility she takes very seriously as the princess, yet one she seems to blow off once she’s ready to move on.) Through the story, Leia is accompanied by the ever-faithful R2-D2 and a new face, Evaan. That’s a 2/0/1 ratio of women to men to droids. It was a little bit exciting, to say the least.

Marvel's Princess LeiaPerhaps that’s why I had such high expectations. After all, if you’re going to do something, you need to do it well. It’s evident that a large amount of planning went into the storyline, but there are moments when it falls short. As your eyes grace certain pages, it’s almost as if you can hear the makers debating the plot.

“How do we get them out of this situation?” they say. “What if we included yet another last-second, un-foreshadowed, confusing rescue sequence?”

That, paired with the lack of panels depicting what and how many of the rescues actually happen is almost inexcusable. Instead, the story opts to flash forward to after the battles. In one of the worst instances, we’re given a single panel of Leia, summarizing what happened with dialogue that sounds unnatural. Disappointing much?

The character arc of Evaan was severely underdeveloped from what I had hoped. Her personhood and ideals changed in a single panel, as she sits and explains to Leia how exactly she has changed, and what’s even worse, how the reader can go back and see it happening over time. Apparently, the change should’ve been apparent through Evaan’s beginning to call Leia by her first name. That plot device would’ve worked on a mediocre level, if the authors hadn’t pointed it out to us with a strobing road sign. Evaan had such a strong potential, and I was so excited to see how her character would grow. Unfortunately, the integrity of the arc was compromised in favor of anything and everything else.

Marvel's Princess LeiaThe comic does have strong points, however. The world-building and exploration of Alderaanian culture brought a fascinating element to the story. Watching the destruction of the planet on screen, with no cultural background, it’s sad and a crime against humanity. After learning about the way Alderaan society operates, the ideals its people hold dear, and the deeply ingrained traditions, the world came alive to me, and I found myself mourning its passing in a deeper way.

Additionally, we were provided with some colorful and sweet insights into Leia’s childhood. Though the series did seem a little flashback-heavy, the flashbacks were all events I wanted to see.

If the comic’s purpose was to enlighten the reader on Leia and the culture of her homeworld, it did a rather decent job.

However, if the comic aimed to illustrate a story of a race finding their way to each other, it was shoddily done. A more focused story goal would have benefitted the series, as the completion of this goal is brought about in a hasty, awkward way through a group of people that the reader has seen very little about. In fact, the large group of Alderaanians that join Leia are not introduced as a story concept until the last issue. After escaping by the skin of their teeth through yet another rescue, Leia decides to return to the Rebellion. As she leaves, she  gives Evaan little information on how to proceed with the large group of Alderaanians seeking guidance on rebuilding their culture.

Marvel's Princess Leia with Chewie, Han Solo, and Luke SkywalkerIt was too vague and far too shallow to buy into. As a reader, I suspend my disbelief enough as is when reading science fiction. I know these things are not possible, but, if the events cannot really happen, the characters need to live, breathe, and feel as real, humanistic beings. I need to relate to them because their changes and emotions ring true.

Princess Leia failed me on that front, though I am very open to seeing any future works that center on her work with rebuilding Alderaan’s spirit.

Marvel’s “Princess Leia” Fails to Impress

Guardians of the Galaxy Cartoon Gets a Release Date

With the smash hit taken by Guardians of the Galaxy last summer at the box office, it comes as no surprise that an animated series was to follow. The show will premiere on Disney XD on September 26, 2015. Also, as expected, none of the original actors from the movie will reprise their roles. Nevertheless, a plethora of talented voice actors will lend their voices for the now iconic Guardians. Among them are Jeff Bennett (Star Wars: Jedi Knight II: Jedi Outcast), Will Friedle (Batman Beyond), Kevin Michael Richardson (Planet Hulk, Legend of Korra), Vanessa Marshall (Star Wars: Rebels), and James Arnold Taylor (Star Wars: Clone Wars), among others.

Guardians of the Galaxy cartoon poster

Disney released some test footage of the Guardians of the Galaxy cartoon, which looks fairly impressive and can be viewed below. With any luck, this show could be as good as Avengers: Earth’s Mightiest Heroes.

Guardians of the Galaxy Test Footage:

Are you excited for the new Guardians of the Galaxy series? What are you looking forward to on it? Let us know in the comments.

Guardians of the Galaxy Cartoon Gets a Release Date

Top 5 Boss Themes

The door thunders and opens. Inside, the villain awaits you. He or she says something clever, gets angry, and then you fight. In that moment, as the villain lunges toward you, the music picks up and fuels your adrenaline as you draw your weapon and battle your enemy. For this article, here is my top 5 favorite boss music themes. I will go from my least favorite to my most favorite. Just know that I absolutely love them all. . .

5. Tomb Raider Anniversary

The Tomb Raider Anniversary boss was a difficult one for me in part because I had not fully mastered some of the special moves. There was much dying on my part and beating on pillows or whatever else was next to me. However, one thing that kept me going was the music. The music was a choir that illustrated Natla’s ultimate desire for world domination.

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Boss Battle Video:

4. Call of Duty: Modern Warfare 2

Modern Warfare 2 has you chasing the final boss, who happens to be voiced by Lance Henriksen, in a boat down a river filled with all of his cronies. The desperate theme pumps your adrenaline as you chase down this general with an “ends justify the means” attitude. No enemies or obstacles will keep you from taking this guy down!

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Boss Battle Video:

3. Star Wars: Knights of the Old Republic

Knights of the Old Republic’s music does a perfect job at illustrating your completion of this enormous game. Not only does it reflect the epic nature of the battle taking place between you and Malak, it also shows that your fate is not the only one hanging in the balance. There is a massive battle for the Republic happening right outside the space station as you fight. The fate of your battle with Malak could ultimately decide the fate of the battle beyond.

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Boss Battle Video:

2. Legend of Zelda: Ocarina of Time

Ganondorf’s boss theme reflected the happenings of the environment around you. It also painted Ganondorf’s use of the power of the Triforce. It makes you feel like the battle is impossible as he throws his magic at you. Yet, there is a small glimmer of hope.

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Boss Battle Video:

1. Prince of Persia: Sands of Time

The Sands of Time still remains as my all-time favorite boss battle music. The music reveals to you that, sorcery or not, you know you can beat this old man. You can also hear the deception of the vizier through small sections in the music. He is the one who influenced the Prince to cause all this trouble in the first place. Along with the amazing percussion and Middle Eastern flavor, this music has got to be one of the best boss battle themes of all time.

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Boss Battle Video:

Do you have any boss themes you think should have been added? Feel free to post them in the comments.

Top 5 Boss Themes

Star Wars Rebels Season 2 Movie Review

Things were looking pretty good for our heroes at the end of Star Wars Rebels Season 1; however, the Empire is not one to turn the other cheek and makes sure that the rebels pay for their actions by sending along an expert in dealing with such matters, Darth Vader.

WARNING: SPOILERS ABOUND!

Overview

Following a huge victory at the end of season 1, Rebels picks up where it left off with the crew of the Ghost helping out the new rebel fleet. Some of the crew, in particular Kanan, feel a bit overwhelmed by their new circumstances. The idea of serving as a sort of intergalactic Robin Hood against the Empire was fulfilling. Fighting a full on fight against said Empire, on the other hand, is almost out of their league. So when the crew receive a message from Lothal concerning the smuggling of a high ranking official off world, it seems like the perfect opportunity to get more Imperial information as well as return to their roots in small-time rebellion; however, little do they know that this is a trap laid by none other than the Sith Lord, Darth Vader.

The Good

Kanan expresses his uneasiness with joining the larger rebel cause.

Kanan expresses his uneasiness with joining the larger rebel cause.

1. “The Siege of Lothal” changes the dynamic even more than the season finale. We honestly were not sure where the series was heading after finding out that the small band of rebels aboard the Ghost were actually one sect in a larger group. The option of them still operating in Lothal is completely thrown out by the end of this episode as Vader makes that an impossibility. Getting off of Lothal was a good and bold move on the show’s part, as it throws our characters out of their comfort zone.

2. Darth Vader is used properly and it looks like he will not return for quite awhile. At first, it seems that our heroes will outwit and escape Vader. This would have been a concern since Vader cannot lose like the villains in the previous season; however, “The Siege of Lothal” uses Vader perfectly. Even when it looks like the rebels had escaped Vader’s clutches, we find out that it was all apart of his plan. Also, as expected, Kanan and Ezra are no match for Vader in lightsaber combat. That scene, in and of itself, was an awesome treat to watch as Vader toyed with the duo.

Ezra and Kanan observe the destruction of Tarkintown.

Ezra and Kanan observe the destruction of Tarkintown.

3. The inhabitants of Lothal have had it rough. Many of them have had to move to Tarkintown, a refugee camp that the rebels often helped out. The name of Tarkintown is a clear call-out to the Hoovervilles of the 1930s when the poor would move to these places and mockingly name them after President Hoover, but Tarkintown also serves as an important plot point as it is burned to the ground by Darth Vader. Why did Vader do this? To take advantage of our heroes’ “weakness” for compassion. Watching Tarkintown burn into ashes really brought the idea home that there was little else our heroes could do in Lothal.

4. When Vader reported to the Emperor of his mission’s completion, we did not see the Emperor. Rather, we simply heard his voice (as performed by the very talented Sam Witwer). I am sort of hoping we do not see the Emperor’s face at all in the show, as his disembodied voice would make him more mysterious and foreboding. Of course, now that Vader knows Ahsoka lives and has already told the Emperor of this, we can only imagine what their plans might be. Vader clearly is not going to turn Ahsoka to the Darkside since he already informed the Emperor of her presence. Sith lords do not inform each other when they want to usurp the mantle of Dark Lord of the Sith.

The Bad

Darth Vader reports the status of his mission to the Emperor.

Darth Vader reports the status of his mission to the Emperor.

1. Within the first few minutes of the episode, John Williams’ music was already being used. I am not talking about a small theme. Rather, the show used quite a bit of the asteroid field music from The Empire Strikes Back for much of the scene. This was a problem throughout the first season, and, unfortunately, it would seem that it will be a problem in this season. George Lucas himself pushed the production team of the Clone Wars to use Williams’ music sparingly. That show would throw in a theme here and there, but we would never get a full track pulled from one of the films. Overusing John Williams’ themes and even copying and pasting them into the show, instead of creating new themes, not only devalues their worth but is also lazy.

2. Darth Vader’s voice sounded a little bit off. This is not a stab at the work of the awesome James Earl Jones; however, somebody in the sound department did not do the best job at making the voice sound mechanical. It actually sounded too mechanical. Maybe minimization is the goal of the show, but, for those of us who grew up on the original trilogy, this sounded wrong.

Meet Lando's droid (left), W1-E1, the droid with a Southern accent.

Meet Lando’s droid (left), W1-E1, the droid with a Southern accent.

3. Lando shows up again to help out the crew of the Ghost; however, this could easily have been handled by an unknown smuggler since Lando had a total of maybe thirty seconds of screen time. Minimizing nods to the original trilogy is key since they could steal the show from our core heroes… of course, I might be able to forgive this one since we were introduced to Lando’s awesome southern-accented droid.

Conclusion

“The Siege of Lothal” was a huge opening episode that set the course for the entire season. Our heroes no longer have a planet for their headquarters (poor Ezra’s old home was even destroyed), Vader and the Emperor are plotting, the rebel fleet is on the run, and, on top of that, it looks like we are getting a new Sith Inquisitor! There was very little not to like in this episode. All in all, season 2 is off to a great start.

 

Star Wars Rebels Season 2 Movie Review

New Season of Star Wars Rebels Premieres Tomorrow!

That’s right. Star Wars Rebels is back and premieres Saturday, June 20 at 9 PM (ET/PT) on Disney XD. As shown in several clips and the Star Wars Celebration trailer, season 2 will now feature Darth Vader. It will be interesting to see how the Rebels survive since the show takes place in the time period prior to A New Hope where the Empire, and especially Vader, are fairly invincible. One thing to note is that James Earl Jones, the actor who voiced Vader in the movies, is reprising the role for season 2. The one-hour premiere is titled “The Siege of Lothal.” If you need something to tie you over until tomorrow, here’s a clip of the immortal Darth Vader…

New Season of Star Wars Rebels Premieres Tomorrow!

Should All Video Games Have A Campaign?

Introduction:

With the advent of multiplayer over the years, the traditional single-player campaign has started to take a backseat so that developers can focus more attention on multiplayer. This started to happen with Call of Duty as the campaigns began to feel more tacked-on. However, that franchise has never shed the familiar shell of campaign. A campaign seemed to be obligatory, calling out to the early days of gaming when there was no online play or even splitscreen multiplayer. Then, creating a near precedent in video gaming, Titanfall was released with no campaign and to take this matter further, DICE has already announced that Star Wars: Battlefront will not have a campaign either. But the question remains: do all video games need a campaign? This article will attempt to look at both sides of the issue and possible exceptions.

No, All Video Games DO NOT Need A Campaign

codmw3.03.lgIt is the opinion of many gamers that campaigns are almost a relic of the past. Many gamers of famed franchises like Call of Duty, Halo, and Battlefield do not even bother playing a campaign. Rather, they plunge into multiplayer with their friends. There are many social gamers out there, who prefer to play video games with friends rather than go “lone wolf” with an isolating single player campaign.

Other gamers are frustrated at the prospect of a tacked-on campaign. Clearly, the game was made for multiplayer. Why throw in a poorly composed campaign? Let the game be honest to the developers’ goal of an evocative mutliplayer experience. Don’t ruin a perfectly fine video game with the impurity of a terrible campaign!

Yes, All Video Games REQUIRE A Campaign

Halo takedownThere is another side to the coin. Some gamers prefer all games to have a single player campaign, whether the game had a multiplayer focus or not. Many of these gamers like completing the story the game has to offer or do not have time to mess with multiplayer. They consider a game without a campaign to be incomplete and, oftentimes, sloppy. This is the opinion that all video games need to revolve around a story. The campaign and the multiplayer should reflect that.

The best example that most of these gamers reference would be Halo 4. Everything in that game revolves around the central story of exploring Requiem. The multiplayer even reflects this concept, with Spartan Ops (the cooperative missions) giving teams of Spartans missions on the planet’s surface. In the competitive modes (like Free For All or Team Slayer), the idea is that the individual Spartans are performing training missions aboard Infinity, a ship stationed at Requiem. This particular game perfectly balances both single-player and multiplayer.

What About A Game Like Star Wars: Battlefront?

With Battlefront, the argument of campaign and no campaign becomes a bit hazy. Those in favor of a campaign tend to argue that a campaign is necessary for establishing a story; however, Battlefront already has an established story, albeit the movies. The whole point of this particular game is to recreate the epic battles from the movies. All footage from the game have basically been recreations or reimaginings from battles of the original trilogy.

Since most, if not all, players are familiar with the story and these battles, is a campaign really necessary? In this writer’s humble opinion, no, it is not. Battlefront is a rare case where the universe is already established. Exposition and explanation is not necessary in this instance. Allow the players to hop into the battles they love without focusing unnecessary developmental attention on the creation of a campaign. Of course, this game will also feature single-player, should a gamer wish to fight his or her battles solo.

Conclusion

Titanfall-1The answer to whether a game should or should not have multiplayer has no definitive conclusion. One thing is rapidly becoming certain, however, campaigns are going away in a lot of mainstream games. Titanfall marks the beginning of the end for the campaign. In a few years, it is likely that major franchises like Call of Duty and Battlefield will also focus solely on multiplayer. Without a campaign, what will video games even look like?

Do you agree? Is the end of the single-player campaign only a matter of time? Feel free to post in the comments.

Should All Video Games Have A Campaign?