Kelvin Timeline 10 Year Retrospective

Kelvin Timeline 10 Year Retrospective
Redshirts & Runabouts

00:00 / 66:33

May 8th, 2009 marked the return of Star Trek after a long 4 year gap that started with the end of Star Trek: Enterprise. Now, 10 years later, Greg & Derreck take a walk down memory lane to discuss the state of the Kelvin timeline created in the 2009 film that includes Star Trek (2009), Star Trek Into Darkness, and Star Trek Beyond.

We’ll be back next week to wrap-up Star Trek: Discovery Season 2 as a whole and talk about what we want and do not want from season 3.

How do you feel about the Kelvin timeline and its films?

Comment below or hit us up @RedshirtsPod on Twitter!

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Redshirts & Runabouts Podcast Credits

A Heroes Podcast Network Production

Greg Bosko
Derreck Mayer

Executive Producer & Editor
Derreck Mayer

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Kelvin Timeline 10 Year Retrospective

RR28: The Edge of Forever Factor

Paramount announces two new Star Trek movies are in development, CBS releases some behind-the-scenes footage from Discovery’s Season 2 production, and we talk about two episode of The Original Series! We take a look at the episode largely considered to be the greatest episode ever made, “The City on the Edge of Forever”, along with a not so great episode, “The Alternative Factor”. Join us for our TOS Season 1 discussions.

Next week we review “Balance of Terror” and “Mudd’s Women”! Don’t miss it.

How do you feel about “The City on the Edge of Forever”? Is it the best episode of Star Trek? Is “The Alternative Factor” really that bad?

Comment below or hit us up @HeroesPodcasts on Twitter or Facebook!

Join our three-man crew for a journey that will span decades, every episode, every series, every movie, and every possible timeline no matter how small.

Don’t forget to subscribe to Redshirts & Runabouts! The links to iTunes, Blog Talk Radio, Google Play, and our RSS Feed are below!

Also, stop by our Patreon to see what kinds of cool perks you can get for being one of our contributors:

Redshirts & Runabouts Podcast Credits

A Heroes Podcast Network Production

Greg Bosko
Derreck Mayer
Jeremy Monken

Executive Producer & Editor
Derreck Mayer

Flying Killer Robots

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RR28: The Edge of Forever Factor

RR12: Quentin Tarantino Star Trek Pitch

With Quentin Tarantino behind the helm of the next Star Trek movie AND Patrick Stewart showing interest in returning to the role of Picard, your three hosts work together to pitch the movie we think could come from such a partnership. We get through the basic premise and the first two acts before running out of time, so be sure to check it out!

We’ll give you a hint, there’s a taste of “Yesterday’s Enterprise” mixed in with “All Good Things…” and Star Trek IV: The Voyage Home. Curious?

Listen in and let us know what you think of our idea, how you think it should end, or what you would pitch for a Quentin Tarantino directed Star Trek movie with Patrick Stewart!

Comment below or hit us up @HeroesPodcasts on Twitter or Facebook!

Join our three-man crew for a journey that will span decades, every episode, every series, every movie, and every possible timeline no matter how small.

Don’t forget to subscribe to Redshirts & Runabouts! The links to iTunes, Blog Talk Radio, and Google Play are below!

Also, stop by our Patreon to see what kinds of cool perks you can get for being one of our contributors:

Redshirts & Runabouts Podcast Credits

Greg Bosko
Derreck Mayer
Jeremy Monken

Executive Producer
Derreck Mayer

Derreck Mayer

Flying Killer Robots

iTunes Subscription Link

Blog Talk Radio

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RR12: Quentin Tarantino Star Trek Pitch

Star Trek Beyond: Spoiler-Filled Review

For those who don’t know, I’m The Star Trek Dude on Twitter and Facebook. I’ve also recently begun my Trek Watch in which I am reviewing literally every official episode and movie of Star Trek including The Animated Series. Even though my plan is to do this in order (TOS, TAS, TNG, DS9, VOY, and Enterprise with the movies interspersed as they happen), I thought I would take this opportunity to review Star Trek Beyond while it’s fresh in my mind. The review below is from my Trek Watch site, so please check out the rest of my reviews that are ongoing at You can find the original Start Trek Beyond review article here:

Stardate: 2263.02
Year: 2263
Written by: Simon Pegg & Doug Jung
Direct by: Justin Lin

This review, like all on this site unless noted otherwise, will contain spoilers but since the movie just came out, I wanted to warn you.

My Trek Watch is being shifted a bit in honor of Star Trek Beyond which opened in theaters today. Star Trek Beyond is the third film in the Kelvin Timeline (previously dubbed JJ-verse by many, myself included) and the 13th film of the franchise. The movie was co-written by self-proclaimed Trekkie and Trek actor, Simon Pegg and directed by Fast & Furious director Justin Lin, another self-proclaimed Trekkie. The film stars the returning cast which includes Chris Pine (Kirk), Zachary Quinto (Spock), Karl Urban (Bones), Zoe Saldana (Uhura), Simon Pegg (Scotty), John Cho (Sulu), and Anton Yelchin (Chekov). We are joined by two newcomers in the main villain played by Idris Elba (Krall) and a new protagonist played by Sofia Boutella (Jaylah). You might remember Sofia Boutella from Kingsmen, as she plays Samuel L. Jackson’s #2, the woman with the blade legs.

Star Trek Beyond - Posters Small

Alright, let’s talk about the film. Star Trek Beyond takes place just about 3 years into the Enterprise’s Five Year Mission. This might even be a bit of a nod to The Original Series, since it was canceled around the time this movie would have taken place. I love the way the movie begins. We are shown a Captain Kirk who is bored, tired, and disenchanted by the chair. He even makes an inside-joke about things feeling episodic. I laughed. What I liked about this was the parallels to Captain Pike of the Prime Timeline in “The Cage”. Both characters had lost their sense of adventure and drive for exploration. They had lost themselves a bit and didn’t know what their next step would be. Both even thought about leaving the Enterprise.

In the meantime, we had Spock’s interesting arc of conflict dating back to the 2009 film. He is constantly struggling with his duties to Starfleet and his duties to the Vulcan people in the aftermath of Nero. In a truly touching tribute to Leonard Nimoy (Spock Prime), Spock learns that the Ambassador has died. This is an incredibly complex situation. What does it feel like if a version of yourself dies? How can one know?

Things don’t stay dark the whole time, though. In fact, I found that the film brought a sense of light and brightness to the franchise we had not seen since Star Trek: Insurrection. I found that this movie enjoyed the spirit of The Original Series but did so in the 21st century when movies are more fast paced and action packed.

The overall plot is solid. I also really liked the origin of Krall, even if some critics claim they caught on immediately. I did not. I found Krall to be a menacing character as well. He is powerful, intelligent, and dedicated to his cause. The characters have fun and/or important arcs that are all more or less resolved by the end of the film. Again, Chekov has the least going on but he did get more screen time than Into Darkness. Jaylah was a nice breath of fresh air too. Her speaking style, visual appearance, and attitude made the movie more enjoyable and brought a sense of wonder with her.

Star Trek Beyond - Krall

The character relationships are the best part of this movie from a story perspective. Bones and Spock have some wonderful moments both humorous and serious in nature. When Spock is close to death, it is their respect and friendship that keeps them going. Since 1966, we’ve watch Bones and Spock trade barbs. McCoy would throw a “green blooded” insult and Spock would reply with something intellectual yet sarcastic. What some don’t realize is that they were true friends with deep respect for one another. Beyond showed this better than any film before it and I loved every second. Seeing the characters paired up differently was also fun. We had Kirk and Chekov, Uhura and Sulu, Scotty and Jaylah, and Bones and Spock as I mentioned.

Spock Jaylah and Bones

What sold this movie to me, as a Trekkie, is its understanding of the franchise and canon. While the 2009 film obviously referenced the Prime Timeline it didn’t add anything outside of Spock Prime. At the same token, Into Darkness ignored the Prime timeline all together with the exception of Khan’s existence. Star Trek Beyond does exactly the opposite throughout the film. First, we have all of the Star Trek: Enterprise references like the Xindi and Romulan Wars, MACOs, and the formation of the Federation. We even got a glimpse of that era’s uniforms and the USS Franklin is clearly based on the NX-01 Enterprise design from the TV show, even if it’s different. But that’s not where it ended. We got references in basic dialogue like Chekov’s tale pertaining to the origins of Scotch, straight from TOS. Kirk even makes a statement about “absent friends” in his toast toward the end of the film. The birthday references are there too. These were echos of The Wrath of Khan and The Search for Spock but in a different light for different incarnations.

The resolution for the film is fun, for me at least, but flimsy at best. I saw some similarities to how the Borg were handled at times during Voyager with the whole disrupt communication concept and I can appreciate all of the ships in the swarm functioning that way but I don’t understand why they blew up anymore than I understood it in the Voyager episode “The Swarm” when those ships exploded due to a phaser feedback… but at least that was an actual weapon. But, as I said, the scene and music is fun, so I’m going to let it slide because Trek has done worse before and it’s my only serious gripe for the film.

USS Franklin

Finally, we had the major tribute to Nimoy. Quinto’s Spock is looking through a box of items from Spock Prime. He then pulls out a small case where a photo slides out. I expected just a picture of Nimoy as Spock, maybe young, maybe old but just something to say goodbye one last time. We got so much more. We got the iconic photo of the original crew, similar to the one below. We got to see the Kelvin Timeline not only honor Nimoy in his passing but honor his Spock, his Kirk, his Enterprise, and his crew. It was a picture I never expected to see in new Trek and an acknowledgement of the franchise’s history that was perfectly deserving on its 50th year.

Star Trek VI: The Undiscovered Country Crew

In the credits, we got a final goodbye to Nimoy and the film’s dedication to Anton Yelchin. While Nimoy’s loss was a major one for many in the Trek community and beyond, Yelchin’s was shocking and painful. He was so young and his presence will be missed in everything he could have been a part of. I fully support Abrams’ and the studio’s decision not to recast Chekov.

To end on a positive note, Star Trek Beyond was a fantastic birthday present to a franchise half a century old that has hit every corner of this globe. It captures the spirit of The Original Series while pushing forward in its own right, respecting the franchise every step of the way. I loved it and can’t wait to see what’s in store for Star Trek 4 and the upcoming TV series on CBS.

May you all live long and prosper.

For more of my thoughts on the film, catch the Screen Heroes podcast episode #31 with a live broadcast Tuesday, July 26th at 8PM CST at\griddaily or listen to the recorded episode at

If you have thoughts or are interested in more, go to!

Star Trek Beyond: Spoiler-Filled Review

Star Trek Beyond: The Spoiler Free Review, It’s Fantastic

But I’m sure you’ve already heard that it’s good or that some reviews not liking Star Trek Beyond for its lack of depth, you know, the kinda of depth of classic episodes like “City on the Edge of Forever” or “Balance of Terror”, for example. What some people forget is that on average The Original Series was far from perfect. Depending on who you ask, only about half the episodes are really good. What brings fans like me back continually are the characters and how they interact. I’ll sit through some of the worst TOS episodes if the banter between Spock and McCoy makes me smile and if it has a theme or at least some solid message I’ll have a good time watching it. And that’s what Star Trek Beyond is, a simple character driven story with a theme. Its theme is camaraderie plain and simple. There are also much more sublet nods to ideas of globalization and provincialism and sense of wonder. Sometimes all you need is a nod if you want to focus more on the characters and you’ll have a great film.

The plot is functional, nothing too elaborate, but it gets the job done. There are no big loop holes or dramatically illogical moments like what was found in Star Trek Into Darkness. But it does lack the freshness and charm of something like an origin story that is found Star Trek (2009). At no time was the story dull or boring, even during the moments of exposition and story setup it was fun to watch. The film moves from start to finish in a quick way that will leave you feeling like it’s going to end way too soon but the pacing never disappoints.  Interestingly enough where you could argue Into Darkness failed at plot twists and surprises, Beyond does a much better job at it. You’ll definitely want to avoid spoilers with this one.kirk-yorktown-uniform

Cast and Acting:
This film’s saving grace is its cast and acting. I know it’s been said before but if you think these actors have hit there mark before, you’ll be blown away with how they’ve improved on capturing the characters. They all feel much more visceral. Most noticeably is Karl Urban’s McCoy who is given a far greater role in the story. He’s your battle medic alright. And McCoy is gonna make you laugh, let me tell you.


The new comers to Star Trek, Idris Elba and Sofia Boutella, are well done also. You’d think Idris Elba, being so buried in makeup would be a mistake. When I first saw the trailer, I was reminded of the Remans from Star Trek: Nemisis, shallow Nosferatu like aliens that were flat and dull, more monster than villain. But Elba pulls it off well. He has a certain speaking cadence like Bane from The Dark Knight Returns but it’s actually much closer to how Ceaser speaks in the Planet of the Apes remakes. It draws you in, eager to hear every word, it keeps you hanging on his words. The villain interestingly enough has a not too subtle character arch that when it reaches its climax is interesting and adds to both the story and characters motivation, if a little to late.


Sofia Boutella’s female heroin character, Jaylah, has some range as well. She portrays her as a strong and cunning independent survivor. Yet Boutell gives Jaylah a much needed vulnerability at times. Something that other space fairing, sci-fi flicks didn’t do with there stick fighting female leads (cough, cough Force Awakens). It’s Jaylah’s vulnerability with her strength that makes her compelling in the opposite way of how Rey was handled in Star Wars.


Much of the charm and fun from Star Trek Beyond comes from the clever script. Cheeky one liners and interactions between characters are what makes this film exciting during the down time between the action scenes. McCoy and Spock’s interactions are some of the best moments with the film. But every character has his or her scenes and contributions to the plot; no character is wasted and everyone has a reason to be there.


The only draw back at the end is the problem solving felt a little too collaborative. Like cheesy 90s sitcoms where couples finish each others sentences when faced with a problem, it felt like they where kicking a ball back and forth and it felt a bit too forced.

The action is real good but perhaps not as good as something like Force Awakens. True, there are some moments where Star Trek Beyond introduces some very interesting shots and camera work that depict actions scenes in zero gravity in a new way, both in space and hand to hand combat. But these shots don’t always pay off. When they do, they’re something special.


Oddly enough though, the infamous motorcycle scene is actually pretty darn good. When I saw it first in the trailer I was reminded of the lame dune buggy scene from Star Trek: Nemesis. But it fits with the story and is fun to watch. I actually liked it. Kirk was the action hero we always knew he was.

Lastly, the space battles where good but not overly so. Much as with the plot, the strength is with the characters not the space ships.

Special Effects:
Actually, I was slightly disappointed with the special effects. Generally most sci-fi films do a great job at this, heck even fan films can have some great stuff. But there are some moments here and there where I guess they got overly ambitious with shots and angles and didn’t have the budget to make everything look perfect. I mean don’t get me wrong, the film overall looks great but early on in the above mentioned motorcycle scene for example,  it looked sub-standard, perhaps because they wanted an interesting pan shot for the camera. It may be from lack of budget more than lack of vision though.  I got to hand it to them for trying an interesting shot though. I’m no special effects purists.


Star Trek Beyond is a fantastic film but if you’re an old school Trekkie that hated the previous two films then there really isn’t much here you’d like. As for everyone else, you’re going to enjoy yourself with Beyond. It feels like a love letter to The Original Series, at many times echoing it in form and function. Though not a film with intellectual depth, it stands on par with the complexity found with Star Trek: First Contact easily and in many ways surpasses it. It’s an incredible bounce back from the shortcomings of Into Darkness and though in may not have the charm of the 2009 entry, it feels much closer to the source material than many other Star Trek films. In many ways, it was much closer to Star Trek: The Motion Picture as far as look and feel to The Original Series. That’s pretty darn impressive in itself.


What did you think of Star Trek Beyond? Do you think Justin Lin was up to the task? Comment below with your thoughts!

Live long and prosper.

Star Trek Beyond: The Spoiler Free Review, It’s Fantastic

Renegades Without the Trek

As many might know by now, CBS and Paramount finally released official fan film guidelines earlier this week. While this was something many Star Trek fans wanted for a long time, the guidelines we received appeared to take aim at the bigger productions currently in-progress. You can find out more about this in my analysis article here. Just this morning, the crew of Star Trek: Renegades announced that they will not stop production on their current project Star Trek: The Requiem, instead they will be dropping all references to the Star Trek universe all together, making a brand new and original universe.

We, at Renegades, have nothing but the utmost respect for Star Trek and its IP holders, CBS and Paramount. Everything we have done has been because of Gene Roddenberry’s vision and creativity. Star Trek is their property and we will absolutely abide by their rules and guidelines.

That being said, we do have an obligation to our donors and fans, and we have every intention of fulfilling it to the best of our ability. So, we will continue to make “The Requiem” as promised, but without any Star Trek elements.

As you know, we’ve already begun filming “The Requiem” so we cannot halt, suspend, or postpone production. Renegades, from the get go, was designed to be transformative… not derivative. Thus, with very minor changes to our script, we have eliminated all of the Star Trek references. The good news is that Renegades is now a completely original and ongoing series.

We would like to take this time to thank CBS and Paramount for letting us play in their proverbial sandbox for as long as they did. And we’d also like to thank our loyal, creative, and passionate fans for their unending support. We truly appreciate it.

For those who don’t know, Renegades was a Kickstarter that produced a feature length film staring many previous Star Trek actors including Tim Russ and Walter Koenig with many more veterans slated for the sequel including Robert Beltran and Nichelle Nicoles. Now, going to the production’s website brings you Renegades: The Series and a new URL. The crew has worked very quickly to step away from Star Trek and seems to have done so in the hopes of providing their donors with the experience they were hoping for as best as possible without provoking the legal brass at CBS or Paramount.


So far, we have no official word on what other productions like Axanar or Star Trek Continues intend to do but the people behind Pacific 201 spoke out the other day with this to say:

The new fan film guidelines certainly limit exactly how we wanted to tell the Pacific 201 story, but we are committed to making this a virtue for our film. We’re confident that Pacific 201 will survive and thrive within these guidelines (even if it’s a little shorter and more to-the-point than we intended)!

What are your thoughts on how these productions are moving forward? Would you rather The Requiem cease production or are you glad to see something come from all of their effort? Comment below.

Renegades Without the Trek

Official Star Trek Fan Film Guidelines Aim at Current Projects

For those who know me, I’m a Trekkie. I’m The Star Trek Dude on Twitter and Facebook and I do tend to bring in Trek examples more often than I probably should. That’s why this issue is near and dear to my heart. On Thursday, June 23rd, Paramount and CBS announced via the first official Star Trek fan film guidelines. Of course, I jumped on quickly to review these and see what the situation was. Now, I was feeling very optimistic after everything Justin Lin (Director of Star Trek Beyond) and J.J. Abrams had said specifically about fan films and the Axanar lawsuit. Unfortunately, my mood has since changed.

For a full explanation of these guidelines, please check them out here but I’m to highlight a few and talk about my thoughts.

Analyzing the Guidelines

I don’t hate all of these guidelines. Some make perfect sense like:

2. The title of the fan production or any parts cannot include the name “Star Trek.” However, the title must contain a subtitle with the phrase: “A STAR TREK FAN PRODUCTION” in plain typeface. The fan production cannot use the term “official” in either its title or subtitle or in any marketing, promotions or social media for the fan production.

I totally get it. They want everyone to know exactly what is and is not a fan production. There is nothing wrong, in my opinion, about this one. It’s straight forward and reasonable. The very next point is just as reasonable:

3. The content in the fan production must be original, not reproductions, recreations or clips from any Star Trek production. If non-Star Trek third party content is used, all necessary permissions for any third party content should be obtained in writing.

Again, yes, we don’t want fan films literally ripping off content from licensed official episodes, movies, etc.

If the rest were like this, I wouldn’t even need to write an article but things just blow up. Let’s start with the very first point:

1. The fan production must be less than 15 minutes for a single self-contained story, or no more than 2 segments, episodes or parts, not to exceed 30 minutes total, with no additional seasons, episodes, parts, sequels or remakes.

Out of the gate this means that Star Trek Continues is basically dead in the water. They produce nearly hour long episodes following ongoing missions of The Original Series Enterprise and crew under Kirk’s command. Each episode would break this rule not to mention every other fan film that is well over 30 minutes in length like Of Gods and Men and Renegades. In fact, Prelude to Axanar is over the 15 minute mark and would need to be broken into two just to fit this very rule. The short segments could be dealt with in a serialized web format much like Red vs Blue or something to that affect BUT “no more than 2 segments” and “with no additional seasons, episodes, parts, sequels or remakes.” That means you get 30 minutes to tell your story with your characters and then they are gone forever. I don’t know about you but one of the things I loved about Trek in the 90s was how characters’ lives continued. They grew older, got promoted, and showed up on different shows. It was a connected and evolving universe. Fan films can kiss this goodbye.

4. If the fan production uses commercially-available Star Trek uniforms, accessories, toys and props, these items must be official merchandise and not bootleg items or imitations of such commercially available products.

That point focuses on props and costumes. Now, if I’m understanding this one wrong, let me know. It sounds to me like fan films that use existing styles (i.e. uniform designs from TV series or movies, props from the same) they must use officially licensed products. Does this mean fan films can make their own? What about costumes made from officially licensed costume patterns? And how is this going to be enforced? This one is tough and a little nebulous to me, so I’ll move on.

The big one I want to talk about is #5 which focuses on the actors and crew allowed involvement in fan films.

5. The fan production must be a real “fan” production, i.e., creators, actors and all other participants must be amateurs, cannot be compensated for their services, and cannot be currently or previously employed on any Star Trek series, films, production of DVDs or with any of CBS or Paramount Pictures’ licensees.

So this means that ANYONE who has ever worked on Trek in any official capacity or any other CBS or Paramount product cannot legally be involved in a fan film. No one. No actors, lighting guys, DVD art designers, maker of t-shirts. Even a person who does graphic design work for Star Trek Online said he has to drop off a fan films he was planning to work on. This immediately means that Star Trek: Renegades and their upcoming project Requiem is a no-go from the start since it includes legacy actors like Walter Koenig, Tim Russ, and Robert Picardo just to name a few. It also means that anyone who might have helped with ship design back in the 90s is a no-go too.

What does this mean?

From my perspective it’s simple. This is a direct reaction to the events around Axanar, its lawsuit, and the other popular fan productions, specifically Star Trek Continues and Star Trek: Renegades. Paramount and CBS have a new movie and TV on the horizon. While we don’t know the details on the show, we know that Beyond continues the JJ-verse with Kirk and company. Meanwhile, the fan productions focus on the Prime universe in the old TV show era, before that, and in the future after Nemesis. These things don’t clash yet Paramount and CBS seem to take issue with them. Now, maybe this is more personal and just about Axanar or maybe it’s less personal and it’s about all fan films. I don’t know but I can say that these new guidelines appear to take aim at the big three.

As a lifelong fan, I’m disappointed. I love Star Trek and I enjoy the fan productions. They get me through the empty time Paramount and CBS have left in addition to telling stories those companies have no interest in telling. The fact that everything is coming to a head on the 50th anniversary of the franchise is both disappointing and disheartening. For us fans, it was supposed to be a year of celebration and excitement. Instead, there is a lot of tense, hurt feelings, and distrust.

Since the news is still young, I’m curious to see what these fan films have to say in addition to others I have not mentioned. In fact, we’ve published at least five other articles about Star Trek fan films. Check them out below to see some of what we might be missing with these new guidelines.

Star Trek Horizon

Star Trek Progeny

Star Trek Renegades

Pacific 201


What do you think of the new fan film guidelines? Comment below or hit me up on Twitter @griddaily!

Official Star Trek Fan Film Guidelines Aim at Current Projects

Bad Robot Surprises with 10 Cloverfield Lane

While the world was focused on Star Wars: The Force Awakens, J.J. Abrams, Bad Robot, and Paramount were planning something. The surprise came mainly to those who saw 13 Hours opening weekend because they were treated with a trailer for 10 Cloverfield Lane, a horror\suspense film starring John Goodman that, according to Abrams himself, is a “blood sequel” to the 2008 film Cloverfield. The new movie, while not a direct sequel, may be connected and exist in the same universe as the original or it might simply be similar in tone and style, which is were the “blood sequel” comes into play. The IMDB page is light, showing no images or even a movie poster for 10 Cloverfield Lane, which is surprising since the film is slated for a March 11th release, meaning less than two months away. Additionally, the film’s cast is currently only three people, John Goodman, Mary Elizabeth Winstead (The Thing  (2011), Scott Pilgrim vs. the World), and John Gallagher Jr. (Jonah Hex). 10 Cloverfield Lane is directed by Dan Trachtenberg, marking his feature film directorial debut.

We’ve got the trailer below and as you can see for yourself, much is left to explain and understand about this quickly upcoming horror film but IMDB takes a stab at it with their synopsis:

Waking up from a car accident, a young woman finds herself in the basement of a man who says he’s saved her life from a chemical attack that has left the outside uninhabitable.

Sounds mysterious to be sure.

Check out the trailer below!

Alright, what did you think? Are you excited for 10 Cloverfield Lane? Do you think it’ll connect to Cloverfield in a big way? Comment below with your thoughts!

Oh and “I Think We’re Alone Now” is just a fantastic, creepy song to put in that trailer. I think it sold it for me.

Bad Robot Surprises with 10 Cloverfield Lane

AXANAR: CBS Suit and Star Trek Fan Films

Axanar is attempting to boldly go where no Star Trek fan film has gone before. Over the course of three crowdfunding campaigns between Kickstarter and Indiegogo, they have raised about $1 million in funding for their Prelude to Axanar short film and Axanar full feature film. While their process has been ongoing for well over a year and production is set to begin on the feature film in February, CBS and Paramount, the owners of the official Star Trek TV and movie rights, have decided to file a lawsuit against Axanar Productions.

For many in the Trek community, this has been taken as a serious blow to the fan base. For decades, CBS and Paramount have allowed fan films to continue with little to no intrusion. Some of these productions have been incredibly popular like Star Trek: Continues which continues The Original Series story and format, leveraging new actors to portray Kirk, Spock, Bones, and the rest of the Enterprise crew. They currently have six episodes available on their website. Additionally, Star Trek: Renegades leveraged previous Trek actors in their original roles continuing on a more dark theme. The actors included in “Episode 1” are Walter Koenig (Chekov), Tim Russ (Tuvok), Robert Picardo (Dr. Lewis Zimmerman), and Manu Intiraymi (Icheb), among others. In fact, they’ve even boasted bigger Trek names for future episodes including Nichelle Nicoles (Uhura), Robert Beltran (Chakotay), Cirroc Lofton (Jake Sisko), Aron Eisenberg (Nog), and Terry Farrell (Jadzia Dax). So, people want to know why Axanar is any different.

In their defense, they are using a new story with primarily new characters and have even taken Star Trek out of their title. They are using new ships and covering a time period not used in previous Trek. The characters they are leveraging were minor and not star or leading roles in the various TV series or movies. With that said, yes, they are using Klingons, Vulcans, and other Trek-specific species. But, what is the difference? This is something I suppose that Axanar Productions and CBS have to figure out together but many people think it’s the money involved. While arguing quality is something subjective, money is not. The amount of money raised by Axanar Productions is significantly higher than any previous Star Trek fan films and might even take the crow for fan films in general.

What do I think? Well, I think that CBS and Paramount have a vision for Star Trek with the upcoming Star Trek Beyond film and untitled TV web series set to hit in the next 13 months. CBS has a vision for these official productions and it’s possible that Axanar does not gel with these concepts or ideals and due to Axanar’s popularity, CBS wants to down-play their story. With that said, this is poorly timed by CBS. Star Trek is a complicated franchise, one that has a complex fan base that is willing to be very vocal about their passion of Trek. While the announcement of a new TV series was very exciting, many (not myself, by the way) were disappointed and down right angry that the series would only be available on the CBS All-Access paid subscription network (the pilot episode will air on CBS directly though).  Things continued on the downward trend with the release of the first Star Trek Beyond trailer which many (again, not me) felt did not feel Trek. In fact, it prompted Simon Pegg to make statements about how the trailer didn’t truly depict the message and tone of the film and that he was unhappy with said trailer. Thirdly, Creation Entertainment tried to pull a fast one on passionate fans by price gouging the General Admission tickets for the 50th Anniversary Star Trek Las Vegas convention, causing a retraction and reversal of the price increase within 12 hours.

Star Trek Axanar Ares

For CBS and Paramount to file suit now, after Axanar Productions already met with them as recently as August, seems confusing and in poor taste. With that said, since I am not a lawyer, CBS and Paramount may be completely in the right here if Axanar Productions is making a profit from their crowd funding or breaking other aspects of copyright law. For now, we’ll have to wait. Below is the official response from Alec Peters of Axanar Productions:


December 30, 2015

This morning, I was greeted with news that our production company, Axanar Productions and I, personally, am being sued by CBS Studios, Inc. and Paramount Pictures Corporation for copyright infringement of Star Trek.

First of all, I was disappointed to learn about this through an article in an industry trade. For several years, I’ve worked with a number of people at CBS on Star Trek-related projects, and I would have hoped those personal relationships would have warranted a phone call in advance of the filing of a legal complaint. Nevertheless, I know I speak for everyone at Axanar Productions when I say it is our hope that this can be worked out in a fair and amicable manner.

Axanar is a fan film. Fan films – whether related to Star Trek, Star Wars, Harry Potter, Lord of the Rings, Power Rangers, Batman or any other franchise – are labors of love that keep fans engaged, entertained, and keep favorite characters alive in the hearts of fans. Like other current fan films, AXANAR entered production based on a very long history and relationship between fandom and studios. We’re not doing anything new here.

Like all fan films, AXANAR is a love letter to a beloved franchise. For nearly 50 years, Star Trek’s devotees have been creating new Star Trek stories to share with fellow fans. That’s all we’re trying to do here.

Since the original Star Trek TV series, when the letter writing campaign by fans got NBC to greenlight a third season of Star Trek, fan support has been critical to the success of the franchise. It is the Star Trek fans themselves who are most affected here, for by suing Axanar Productions to stop making our movie and collect so-called damages, CBS and Paramount are suing the very people who have enthusiastically maintained the universe created by Gene Roddenberry so many years ago.

The fact that many of the fans involved with Axanar Productions are also industry professionals speaks volumes to the influence of Star Trek in the entertainment industry. Not surprisingly, these fans want to give something back. We’re very proud that the work we’ve done to date looks so good. That is also a reflection of the devotion of Star Trek’s fans.

Like everything related to Axanar Productions, we take this matter very seriously and remain open to discussing solutions with all parties that can be mutually beneficial.

Alec Peters

The official statement can be found on the official Axanar Facebook page here.

The full complaint (via Hollywood Reporter) is available here.

Many people have taken to the Internet with a hashtag supported by Axanar Productions #IStandWithAxanar which is paired with various images, profile photos, cover photos, etc. Additionally, is being leveraged for petitions supporting Axanar, like this one.

Others are concerned about their connection to the crowdfunding efforts. As contributors, our money is already gone. If production is shut down, what happens to our money? Additionally, are we liable for any damages as contributors? Again, while I’m not a lawyer, I do not think that CBS and Paramount are out to get any of the fans involved and are directly interested in Alec Peters and the rest of Axanar Productions. So, I don’t think we have to worry there. In the end, our money is likely lost but the show might go on. A couple years ago, a Kickstarter funded card game, Redshirts, was put on hold for about a year due to a copyright lawsuit with CBS. Eventually, an agreement was made and the game was altered and is now sitting in my basement. Perhaps an agreement can be made. For now, we’ll have to wait.



AXANAR: CBS Suit and Star Trek Fan Films

Thoughts on the Star Trek TV Series Announcement

Hurray! Star Trek is returning to TV! Excited doesn’t even capture me right now. All I can say is that I am beyond words that CBS finally decided to bring Star Trek back to TV. And with that, here are some words.

There is honestly just so much that I want to know, what didn’t seem to be revealed in the announcement itself. Who are the characters? What time period is this set in? Will there be Vulcans? Andorians? Romulans? Borg? But unfortunately, all of this is left to my imagination. Star-Trek-616433But let’s start with what we know. Perhaps the biggest piece of information is that Alex Kurtzman, co-writer of the J.J. Abrams Star Trek films as well as co-creator for shows like Fringe and Sleepy Hollow, is listed as executive producer. While not terribly informative, we can assume that this means the new Star Trek series will be set in the alternate timeline colloquially known as the “JJ-Verse.” Let it be known that I am a full-on fan of most everything J.J. Abrams has ever done including his Star Trek films so I have zero problems with it should this be the case. Setting this new series in a Star Trek universe that is both familiar and yet unknown presents many different paths it could go.

Vulcan_consumed_by_black_holeMy personal biggest hope is that they address the elephant in the room and deal with the destruction of Vulcan. When Nero created a singularity at the center of Vulcan, destroying one of the Federation’s founding cultures, as well as Spock’s mother, one would hope that it would be addressed. While admittedly Star Trek Into Darkness had its story dealing with different matters, I always hoped that the destruction of Vulcan would impact the Alpha Quadrant in some heavy ways. Most notably, how will the Romulans take it? Several episodes of Star Trek: The Original Series show Romulans as being conniving but also a respectable and proud people who hold their Vulcan cousins in decently high regard. Will the Romulans give the Vulcans humanitarian, or in this case vulcanitarian, aid? Or will the Romulans take advantage of this weakness and invade? Who knows.

My only other major hope, and I know I’m about to get a lot of flack for this, is that they don’t set the show on an exploration ship. Yes, I know Star Trek, with the notable exception of Deep Space Nine, has always been set on an exploration ship and that’s precisely my point. That concept is tired.  We’ve had 21 seasons of 4 incarnations of Star Trek all set on an exploration ship and I think its time to move on. Sure, exploration can still be a theme but having one ship with one captain, one XO, one engineer, one tactical officer, one helmsman, one navigator, and one science officer is just something Star Trek needs to get away from for a while. We don’t need a show that’s essentially another rehash of The Original Series or Next Generation… again. The bulk of Voyager and the first two seasons of Enterprise proved that. I know people are going to say that Star Trek‘s exploratory theme is where its roots lie but I would argue this. Yes, Star Trek is about exploration but not the universe, they were exploring the human condition. What you see in The Original Series is exploration of the universe used as a metaphor for exploring what makes humanity so human and I believe there are ways to do this without resorting to the same concept used by Star Trek for 21 seasons. Star Trek writers are some of the most creative bunch out there and I believe them perfectly capable of bringing us something so clearly innately Star Trek but not a tired unimaginative redo of the same thing we’ve known for 50 years. Star Trek is better than that.

cbs-all-access-logoOne possible concern I know several people have is its distribution model. This new Star Trek show has been announced as only being available on CBS All Access or as I call it, CBS Not Netflix. While yes, I understand your frustration for them not releasing the series on cable like normal but let’s be real here. Bringing Star Trek back to TV is an enormous gamble for CBS and I’m sure they want some reassurance that it will be a successful venture before they sink so much money into actually doing that for a cable audience. This new series is their beta tester and should it do well, I have no doubts that Star Trek will return to cable for everyone to enjoy. So let’s make that happen.

Finally, I want to address something disturbing I’ve noticed just today since the announcement was released and that is the absolute mind-boggling hate and general nastiness that so many people have posted in regards to the new announcement, mainly because of how Alex Kurtzman is attached to it and Kurtzman worked for Abrams. I’ve seen so many post hateful and negative remarks about how Star Trek is dead and they won’t watch it with Kurtzman at the helm. Star Trek finally returns to TV and this is the reception they get? Star Trek‘s return to TV heralded by negativity and disdain? It’s simply sad to see that what the fans claim to have wanted for so long suddenly turn against it because one of Abrams’ writers is at the helm. Regardless of how TV network politics and money matters happen, it’s the fans that kept Star Trek alive for this long and it’s also the fans that can kill it. To everyone, I urge you to not be pre-maturely judgmental. Be open, be positive, be accepting, and be the fans that kept this franchise alive for 50 years with 30 seasons and 12 movies. We all want more so let’s be open to more even if it’s different.

Sovereign_Crew_QuartersNow as I raise my glass, here’s to season 31. Make it so.

Thoughts on the Star Trek TV Series Announcement

In Defense of the Abrams-verse, Star Trek’s Revival


This goes out to all of the naysayers.   

To the hard core Trekkies that reject the two newest films in the series and all those who tear it down at every turn. Why? The two films have some great redeeming qualities. They are pretty well crafted stories that are entertaining and fun to watch, not just for die hard fans but for people who have never enjoyed Star Trek before. They show some great acting and excellently crafted scenes. All of this wrapped around top notch special effects and a moving score. The Abrams-verse isn’t without its flaws but what’s really needed right now for Star Trek they are getting it right, entertainment. It seems like some Star Trek fans have been unduly harsh to the Abrams-verse. People have overlooked what the newer films have done for Star Trek. They are keeping Star Trek alive and in public view by making it fun, not only for people unfamiliar, but to veterans as well.

Prime Kirk, Picard, and SiskoTo make a declaration before we get too far into the thick of it. I count myself a Star Trek fan of the old order. The peerless wealth of character in the original show was always in my heart as I went on to love the depth and maturity of The Next Generation. And this same excellent depth of characters was later found in Deep Space 9, all coupled with a gritty realism.  For many years this was sci-fi nourishment to me and many others.

After these there was a drought of decent sci-fi on television. We started seeing its decline with Voyager and then when Enterprise was canceled. But aside from the superhero romps and a few oases here and there we’ve been with out great sci-fi. We still have a void where Star Trek fit into our lives. But in this desert of imagination we do have the newer Star Trek films to tide us over. The same incredible characters can be found there. Even the most staunch critics of the new films can still see the great talent Zachary Quinto brings to the Spock role. Or that ya feel all warm and giddy when McCoy spouts a crotchety line. Warmth and feeling is doubled down when that old fissile necked Scotsman is given her all she’s got. All orbiting around Chris Pine’s charismatic performance, making Kirk simultaneously a superhero but at the same time being believable and humanly flawed. They worked real hard at getting the characters true to the original and made them more believable in our modern age. Not many other modern sci-fi films would even try to pull this off.

Abrams-verse Zachary Quinto Spock Abrams-verse Chris Pine Kirk

Simply Compare…

Remakes: Total Recall and Robocop

both of the newer Star Treks to various other sci-fi remakes out there. Both Robocop and Total Recall lost a great deal when being revisited. They had great budgets and decent acting but the characters were not as strong as in the original, mainly due to the story’s writing and plot. They were a dry bed of storytelling that left a lot of people still wanting better.

The other sci-fi franchise out there, Star Wars, is a good example for comparison. It had all the great things of a good movie making; budget, character’s, name recognition, special effects, music, to name a few. Not to mention its legendary heritage of the first three films. 

Star Wars Anikin and Padme

An example of bad dialogue

 Arguably what held the newer Star Wars films back was the writing . The dialogue between characters was painful at times, the ever difficult romances and friendships were hard to swallow at best. Seeing Anakin and Padme fall in love was torture for the audience. These are the kinda scenes that left audience thirsty for the romance of the good old days of Empire Strikes Back.

   Characters and their dialogue is where Star Trek wins a fight in the never ending battle with Star Wars. Abrams’ writing is much better than any of the newer Star Wars films. Because of this the characters jump out at you and friendships and relationships are not only believable, they are enjoyable. Where Star Wars failed Trek succeeded thanks to Abrams and his crew. Who could honestly say that Anakin’s scene even compared with that of  Spock and Uhura’s. Both the actors in newer Star Wars and Star Trek are great but it was the writing that made the scenes.

After the dust settled for the new Star Wars films, people blamed the actors for the parch, hard to swallow scenes but this isn’t fair. Many of the actors had excellent work before and after the Star Wars prequels. Once the mirage of poor writing is removed the reality sets in that there are a lot of great actors out there, but there are far fewer great writers.

Abrams-verse Uhura and Spock

A good example

This is what is often is mistaken for bad acting, sub par writing. The things people say to each other, the dialogue basically. Without this both of the Abrams films would have been financial flops. But no one can argue the financial success the newer Star Trek films have had. True special effects helped this financial success but remakes like Total Recall and Robocop had these as well; they lacked great writing. This is the fuel the drives the actors performance. This is what makes Spock cold and logical yet still entertaining and Kirk’s gung-ho, take charge leadership style so interesting. Say what you will about plot in the Abrams-verse but the dialogue between characters is excellent. Dripping with style and entertainment to spare.

That being said the films are far from perfect.

Abrams-verse Kirk, Spock, and Khan

John Harrison has got a great surprise for you!!!

Though the plot in the first one is a great character/origin story and flows wonderfully the second film, however, isn’t on as solid a ground. The life line Prime Spock, Khan smuggling his crew out using weapons, interstellar transporting, Lazarus Khan blood, are all weak plot devices admittedly. Worst of all may be the failed M Night Shyamalan style Khan reveal plot twist that only fooled people who probably didn’t even care about Khan. People like casual movie goers, not die hard Trekkies. This major chink in the armor derailed and otherwise brilliant revenge story. It was a gamble, one that didn’t pay off but the film shouldn’t be condemned for it. Sure Into Darkness isn’t flourishingly perfect but it’s still a great reservoir of great entertainment.But slight plot failing and technical errors are not something new to Star Trek. Back in the old days of The Original Series and well up into the third season of TNG there are inconsistencies. One episode the phasers are blue instead of red, sometimes they refer to their shields as deflector grids, and how many times has an alien force propelled the Enterprise faster than warp 8 and everything was fine. Not a single person was turned into a lizard or anything. This is not even considering things like when Romulans are first seen on the view screen in “Balance of Terror”, the crew instantly assumes they are related to Vulcans because they look alike. But whenever they boldly go where no one has gone before, not only do they speak English, but they also look exactly like humans, but no one bats an eye at this. None of the Star Trek shows had absolutely perfect plots. We accepted the good with the bad.

The plot doesn’t  need to be perfect to be good.

The point is that we ignore the plot devices because we are drawn into the story because of overall plot told by the characters in the show. We are entertained. So we “willingly suspend our disbelief” that the lava monster over there isn’t just some guy crawling around in a cheap Styrofoam costume. It’s a living, breathing, alien that only wants you not to harm it. Blaming the whole film for some bad plot devices is the wrong thing to do, it is illogical.

Abrams-verse Scotty, Kirk, and Spock

“I didnta mean to make spaceships obsolete Captin!”

Sure Khan could’ve gotten away from Earth using Scotty’s transwarp equation and in turn, this could’ve made space travel obsolete. Maybe plot wise it would’ve been better if he just stole a shuttle or explained that normally it was expensive and dangerous to travel that far via transporter beam but Khan took risks. But these kind of small plot hiccups never should hold a story back. This is like rejecting a freshwater lake because a few mouthfuls are unpalatable when your dying of thirst.


It isn’t as if the original was free from cheap plot devices.

Star Trek: The Original Series Spock

Spock time traveling with da maths

Spock after all did have a time warp equation  in The Original Series and in the Voyage Home that could be executed at will. All he needed was a star and a slide rule. It doesn’t make the plot weaker if Spock uses it to travel back in time to get some humpbacks … … the whales, not the people. It’s simply a device to move the story along. In the end we allow this small plot device to get washed out by the story, we willingly suspend our disbelief.

Abrams-verse Admiral Marcus

Excellent performance by Wheller

It wasn’t the small plot devices that brought the Abrams film down a notch. It was much riskier ones, it was the Khan reveal surprise. While at the same time though Peter Weller as the ruthless Admiral Marcus jockeyed for attention with Khan, tugging the plot into different directions.  Weller’s performance was incredible,  but  there wasn’t enough room on the screen for both antagonists. In many ways he almost stole the show. This is what undermined the film more than anything else, two surprise villains driving the plot in two different directions. It was a big gamble with a large payoff that just didn’t work.

Star Trek: Insurrection Geordi and Picard

What do you mean the Journey’s End episode contradiction? Can you blame me, she was hot.

Is it enough to condemn the film?

I think not. Is it enough to condemn the Abrams-verse? Certainly not. Sure there are some weakness in the films but there are some great things to be found in both of them. For this reason it isn’t understandable why some died in the wool Star Trek fans bash the Abrams-verse and rank it so low. For what the two films bring to the table, I think the newer films are far better than all of the odd numbered Star Trek films. Even Into Darkness ranks higher in my opinion than Nemesis and Insurrection, maybe even The Search for Spock.

Sure it can never compare to the classics of Wrath of Khan that did so much with such a small budget. Nor will it gain cult classic status that some of the other films in the franchise have earned. But a franchise needs room to breathe, room to grow. Most importantly that is what the Abrams-verse gives to Trekkies, a chance to be reborn. It is giving us water in the drought of decent sci-fi that we were left in after Star Trek went into decline. Star Trek very nearly died off but despite some of its flaws, Abrams is keeping Star Trek alive. It may not be as good as a desert paradise oasis, but sometimes all we need is an IV drip to keep the franchise going. And who can argue that it isn’t at least doing that.

Star Trek (2009) Directed by: J.J. Abrams

Hope for Star Trek’s revival

What are your thoughts on the Abrams-verse Trek films? Did you enjoy Star Trek (2009) or Into Darkness? Let us know your thoughts in the comments!


In Defense of the Abrams-verse, Star Trek’s Revival

CBS Says ‘No’ to Star Trek: Renegades

Space might be the finale frontier but Star Trek is still trying to return to the small screen after the 2005 cancellation of Enterprise. Many have pitched show concepts and ideas but only a few have really made anything concrete. One of the biggest is Star Trek: Renegades, a crowd-funded fan film starring many Trek alum including Walter Koenig, Manu Intiraymi, Gary Graham, Robert Picardo, and Tim Russ who also directed the film\pilot. What is Star Trek: Renegades?

According to writer Ethan H. Calk:

It is nearly ten years after Voyager’s return from the Delta Quadrant, and the Federation is in a crisis. The Federation’s main suppliers of dilithium crystals are disappearing. Space and time have folded around several planets, effectively isolating them from any contact with outside worlds. And this phenomenon is not natural – someone or something is causing this to happen. This necessitates drastic measures; some of which are outside the Federation’s normal jurisdiction. For this, Admiral Pavel Chekov, head of Starfleet Intelligence, turns to Commander Tuvok, Voyager’s former security officer and current head of the newly reorganized Section 31. Tuvok must put together a new covert, renegade crew – mostly outcasts and rogues – even criminals. This new crew is tasked with finding out what is causing the folding of time and space, and stopping it – at all costs. But will they be able to put aside their differences and stop trying to kill one another in time to accomplish their mission?

So, the film takes place after the close of Star Trek: Voyager, leaving many of our Delta quadrant friends in the mix. The film disregards the semi-canon Star Trek Online video game and doesn’t really mess with the future prime timeline used in J.J. Abrams’ 2009 film. Instead, Star Trek: Renegades takes a darker, smaller look at Trek with a focus on a small group of outcasts who are the Federation’s only hope. It’s an attempt to bend and maybe even break the rules set by Gene Roddenberry. The Federation of Renegades is surely no utopia.

Star Trek: Renegades Props

How did the Kickstarter fare? Decently well, in fact. It managed to get funded with $242,483 with an initial goal of $200,000. It was definitely no major hit like LeVar Burton’s Reading Rainbow campaign which brought in over five times their original million dollar goal. But, reaching a goal is reaching a goal and the film\pilot for Renegades was funded and has been produced. Backers of the Kickstarter have even received their digital versions of the film over the last week with physical copies of DVDs and Blu-Rays going into production in the next couple of weeks.

Star Trek: Renegades DVD and Blu-Ray

Everything sounds like it’s been going well for the fan-made film. Well, everything is not holodeck credits and shore-leave for Renegades. The primary goal of the campaign was to produce a pilot strong enough to pitch to CBS, the owner of the Star Trek television rights. We now know how that went. CBS has decided to pass on Renegades for reasons we were not told by the production team. Trek rights are complicated due to Paramount and CBS sharing them along with the new JJ-verse and the love for the original Prime timeline. If I were to speculate, I’d say that CBS either can’t make a show in the Prime timeline due to Paramount’s newer movies (don’t forget that Star Trek Beyond is supposedly coming out in 2016 for the 50th anniversary of the franchise), or CBS already has plans to bring Star Trek back to TV in the near future and Renegades didn’t fit with those plans. Either way, we won’t be seeing Renegades on CBS or any official network.

Star Trek: Renegades Icarus

This is not the end though. The Renegades team announced to their Kickstarter Backers that all is not lost. Since CBS has passed on the pilot, they are going to turn the film into the pilot of a fan-made web series, or as they put it “an independently produced fan-supported Internet TV Series!” Their plan is to leverage the pilot\film as the first episode and produce a total of 12 episodes a year using a fairly normal TV series production schedule with episodes being produced in the span of a week or so. Walter Koenig has agreed to stay on through Episode 3 which will be the conclusion to the Episode 2 cliffhanger but after that, he plans to retire his Chekov character. According to the report, the Renegades team is actively writing the second and third episodes and a new crowd-funding effort is to be announced soon.

If you’re not familiar with the production, check out the trailers here.

Are you disappointed that Star Trek: Renegades will not be picked up by CBS? Are you glad it’s staying a fan-made production? Let us know in the comments and look for our review of the pilot in the coming weeks. Oh, and live long and prosper.

CBS Says ‘No’ to Star Trek: Renegades