Bill Hader

Ghostbusters Fancast

Transcribed from 2/3/16 episode of Screen Heroes: Episode 7 “Would You Watch It?”

Every once in a while, we recast, or fancast, films.  This time, we each chose to cast a Ghostbusters film we want to watch. We all take different approaches and three really fun movies emerge. Which one would you most like to see?

Ryan:

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Sequel: Ghostbusters 3, The Boogie Man Cometh

Directed by Edgar Wright

Ghostbusters:
Nick Frost – particle physicist
Kristen Schaal – straight man, Venkman-like character
Terry Crews – the humor, big guy who idolized the Ghostbusters as a kid and grew up to be one
Milla Jovovich – the action hero

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Michael Fassbender – Receptionist
Bruce Campbell – Lawyer, Rick Moranis character
Doug Jones (body)/Tim Curry – Boogie Man

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Plot revolves around the lingering Boogie Man, who haunted Spengler as a kid. The original Ghostbusters train the new ones

Ecto: Dodge Magnum

Rae:

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Sequel, Ghostbusters: The Krakening

Directed by Peyton Reed

Ghostbusters:
Simon Pegg – leader of the team, chemical engineer, weapon-smith
Ellie Kemper – daughter of Simon Pegg’s character, grew up in this business, not sure if she’ll follow
Jessica Williams – smartest person on team, many PhDs, always serious
Bill Hader – womanizer, Venkman without charm

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TJ Miller – receptionist, love interest to Ellie Kemper
Ricky Gervais – human antagonist
Morgan Freeman – Daegon

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Ecto: Mini Cooper Ectos, everyone gets their own little car

Set in Portland, Oregon in a former haunted tavern

Ricky Gervais and Simon Pegg’s characters move over from England to start their own Ghostbuster franchise. Gervais’s character believed he could use some ghosts to help fight other ghosts and was fired for involving himself in black arts and releasing previously captured ghosts.

Final battle in the sea facing a giant Kraken-like version of Morgan Freeman

Derreck:

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Reboot, recast of original characters

Directed by  James Gunn

Ghostbusters:
Michael B. Jordan – “Winston”
Emma Watson – “Spengler”
Grant Gustin – “Stantz”
Paul Giammati – “Venkman”

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Mila Kunis – Receptionist

Brent Spiner – Walter Peck

Justin Timberlake – Louis Tully

Emma Stone – Dana

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In place of a the Stay Puft Marshmallow Man, a giant Funko Pop Vinyl attacks New York. Resembles an innocent object that would never hurt you.

What do you think of our movies? Would you watch any of them? Let us know what you think and to hear the original pitches in their full detail, catch the original episode, click here.

Ghostbusters Fancast

SH S3E11: It’s Morphin’ Time!

It’s Morphin Time! So, break out those old Zords and make sure to grab your power coins because it’s time to break down the new Power Rangers movie starring Elizabeth Banks and Bryan Cranston. Before we morph, we talk some news including the new trailers for Justice League and Spider-Man: Homecoming. We talk about our thoughts on tone, style, and personal interest. Then it’s all Power Rangers. Spoilers are here, so be ware! Plot points, happenings, and more are discussed about the new movie, so if you don’t want spoilers, hit the good old pause button and join us later.

Head over to our Facebook page to let us know your thoughts on the new Power Rangers movie. Do you want a sequel? Who would you want the villain to be? What did this movie do well or not? Let us know!

Also, go to Screen-Heroes.com right now to subscribe to us on iTunes and drop us a review. If you do, we’ll be sure to give you a shout-out in a future episode!

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Screen Heroes Podcast Credits

Hosts
Derreck Mayer
Rachel Stewart
Ryan Couture

Special Guest
Jordan Seper

Executive Producer
Derreck Mayer

Editor
Derreck Mayer

Music
Michael Wallace (Flying Killer Robots)

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SH S3E11: It’s Morphin’ Time!

Inside Out – Review

Inside Out gets it.

What does it get, you ask?

Well, it gets everything, actually.  Let me explain.

I originally went into this thinking that I was going to write a review about how important it is that female characters are presented to our child audience as complete, multi-faceted, fully capable of growing and changing.  Well, of course Inside Out provided me with that. But! Pixar rarely produces films where the main characters DON’T come equipped with such traits (I’m looking at you Cars).

What I left the movie with instead was an overwhelming sense of comfort that somewhere out there someone understood just how each one of us and all of our intricate emotional cogs work. Here’s where the spoilers come in, so I’ll just skip to the best part:  Inside Out was a fantastic film worth every penny. Take the family, whoever is your family, and see this movie this summer.

We start with Joy.  She’s the first emotion for Riley to have, which gave her the keys to the console, and the console is incredibly important to each and every person because it drives our whole air which we present ourselves.  So from the beginning of Riley, she’s driven by Joy.  Very soon after, Sadness appears, and obviously Sadness is important too, just no one can tell why. As Riley grows, they’re joined by Fear, Disgust, and Anger, helping to round out her individual emotional spectrum.

Joy & Rainbow Unicorn

Joy & Rainbow Unicorn

Riley is now 11 and she’s happy.  All of her core memories are fueled by happiness, her Personality Islands of Family, Friendship, Honesty, Hockey, and Goofball stand strong.  A proper story doesn’t move along without conflict, which is why everything and everyone is shaken by the big move from Minnesota to San Francisco.  The Emotions do their best to keep Joy at the helm, but the panic gets the best of Sadness and her well-intentioned attempts at helping end up skewing the core memories.

With the memories altered, Joy takes it upon herself to fix Riley.  She’s so focused to do so that she completely forgets the other emotions are just as invested in Riley as she is.  Sadness especially feels the need to help and with a very well done scuffle, her and Joy find themselves whisked away from headquarters to the long-term memory bank, core memories in hand.  That leaves Anger, Disgust, and Fear to run the console, making a very sensitive and irritable Riley.  She loses interest in hockey, she skips school, and eventually, those three emotions convince her run away, back to Minnesota.

Joy & Sadness

Joy & Sadness

All this time Riley is going through the most troubling period of her life (remember she’s only 11), Joy and Sadness are on their own odyssey back to headquarters.  The emotional turmoil is causing literal damage to Riley’s psyche, making navigation of the brain an even more daunting task.  Bing Bong, an imaginary friend that’s mostly cotton candy, teams up with them so that he can be remembered and the two can continue on their adventures together.

They make it through Abstract Thought where they almost get broken down into the most basic of concepts that almost destroyed them. They traverse Imagination Land and meet Riley’s new boyfriend, who’s from Canada.  Joy, Sadness, and Bing Bong end up coming across Dream Productions, the Subconscious (it’s a prison for all the troublemakers), and the Memory Dump (the place where we forget).  Those emotions would have done anything to protect their Riley, and that was sure put to the test.

Bing Bong

Bing Bong

Inside Out is one of Pixar’s best, which is more than evident while watching the film.  Every casting choice was spot on.  Every scene was beautifully animated. Every moment was entertaining. But the moral focus found at the center of the film may just be the most important concept Pixar has conveyed yet: Sadness is special.  That’s a huge realization that we often don’t want to admit to ourselves, especially when we’re children.  Yet the truth remains that Sadness is necessary. Sadness makes us feel something at times when we would much rather feel nothing.   We are able to pull ourselves out of the darkest hours of our lives because of Sadness.  The other emotions inside us will do everything they can to fight it; they don’t want us sad either.  The fact that Pixar managed to grasp one of the most intense and complicated lies we as humans tell ourselves as well as unravel it before our eyes in only 102 minutes shows just how high the standard is for not only children’s films, but films altogether.

I’ve seen a lot of movies this summer, this year.  I’m going to see a ton more.  It’s what I do. This movie is by far the most important one out there now.  It’s these emotional affectations that keep Pixar at the top.  They refuse to ever dumb down a movie for children, knowing well enough that everyone, young and old, can relate to the tales they tell.  If their beautiful interpretation of the human mind doesn’t leave you cinematically fulfilled by the ending, I’m not entirely convinced that anything ever could.

 

Inside Out – Review