It seems that 2016 has been a year of huge potential with mixed results, many tent pole films and many more reactions to them. This could simply all be down to the source material: characters with per-existing histories and fan bases that make it difficult for studios, directors, and actors to please. All this aside, it has been an emotional roller coaster of a year for fandom film goes.
Earlier this year when I posted an article about this summer’s Godzilla movie and how it was going to be done by the original studio that created the character, I would be lying if I said I wasn’t extremely excited. What has also had many of us fans very excited, and also a little concerned, was that this newest film was going to be a complete reboot – and it wasn’t going going down the retelling route.
For those of you who may not be Godzilla fans, there are some things that have always been canon in the Godzilla mythos: his origin, what he is, when he appeared. Like Superman or Captain America’s origins, there are some things about the big G that have been sacred to fans all around the world. But when the original studio decides to reboot the franchise itself and it acknowledges it is going to be a modern and very different retelling of the origin story…you need to have faith, but you can’t help but feel a little concerned too.
Our faith was rewarded, because they delivered.
The overwhelming consensus from from western fans who were lucky enough to see the film in Japan and those from the home nation of Japan, is that the film, while different, was masterfully done. It has also been highlighted on many sites posting reviews of the film. The Japanese members of the fandom are usually the harshest critics out there – and yet so far they are the biggest supporters.
But it gets better…..this Godzilla is coming to the USA. Funimation, the company that distributes other Japanese media in the United States (the Dragonball franchise for example), has announced that Shin Godzilla will be coming to the USA for a theatrical release in late 2016. No date yet on that release, but with roughly four months left in 2016, you will not have long to wait.
Look away if you want to be spoiler free as I will be giving a rough synopsis of the plot. There is also one spoiler image as well, so if you want to save yourself a legitimately fun surprise, best to wait it out.
The film opens with some mysterious problems occurring in Tokyo Bay. Before you can say “I think it’s a monster” an enormous tail appears in the bay. This is right off the bat in the film and it takes no time to build up a threat. Godzilla is here and it really starts to hit the fan quickly. This is quite the refreshing change from other Godzilla films and it addresses one of the key fan complaints against the 2014 Hollywood outing.
The other thing that I should mention is that Godzilla doesn’t seem quite himself….spoiler image coming up folks…..
He evolves during the course of the film…
…more than once….
The Proto-Godzilla does what Godzillas do best and starts running riot. It is here where the film starts to show some of its true colors. We go to rooms full of Japan’s government representatives as they stare in disbelief at what they are seeing and try to manage some kind of response.
I should mention that Godzilla originally served as a commentary for the current state of affairs in Japan and in this first reboot since the original film, the studio stayed true to that idea. The theme of politicians talking and debating until they are forced to act is a reoccurring plot point in the film and while a few fans have complained that the amount of time spent on this element could have been shortened, I think that this issue the film highlights couldn’t be any more current. The Japanese representatives spend a lot of time arguing about what should and can be done, but by the time they are able to come up with a plan…the problem has shifted sideways on them. Godzilla changes for his second time (the second form is pretty unnerving to look at by the way).
So at about this time, the USA comes into the movie. The US military helps the Japanese have a go at the walking disaster that seems to love populated areas, but nobody seems to be getting anywhere against the monster using conventional weapons, much to the concern of the US.
Then, Godzilla evolves into his third and final appearance of the film, the one we have been seeing in all of the trailers and lets just say he packs a mean punch.
Tension starts to reach a critical point when the US representative tells the Japanese that they have a deadline to sort this monster business out or it’s nukes away. Say what you will about the political undertones, it definitely ratchets up the tension.
I will not give away more after that because what comes next is crucial to the climax of the film. However, lets just say that the film ends with something of a cliff hanger and what I think is a pretty interesting way to finish the movie which will no doubt be the first installment in a series of new Godzilla films.
And a new series there will certainly be, with this movie already being almost twice as successful as the 2014 Hollywood Godzilla during its opening weekend in Japan. It would seem unlikely in this day and age that a sequel not be made.
So for those of you who would be considered “Western Audiences”, you may have to wait a little while for him to get to you, but this Godzilla is coming your way and if it’s one thing we all know – good things are worth waiting for.
So how about it folks? Are you excited to see this new Godzilla? Will you see it in the US theaters?
Are you more excited to see where this version of the Godzilla franchise is going or the US one?